Editing is where cinematic drone footage truly comes to life. From color grading to smooth transitions and final output, the choice of editing software can shape the entire workflow.
We want to hear from you:
• Which editing software do you...
We want to hear from you:
• Which editing software do you...
Editing is where cinematic drone footage truly comes to life. From color grading to smooth transitions and final output, the choice of editing software can shape the entire workflow.
We want to hear from you:
• Which editing software do you use for your drone projects? (Premiere Pro, Final Cut Pro, DaVinci Resolve, After Effects, etc.)
• Do you combine multiple programs in your workflow?
• What tips or shortcuts do you rely on to speed up your edits?
• Are there any plugins, LUTs, or tools that have transformed your editing process?
Share your experience, recommendations, and even challenges you face. This discussion is a great place for both beginners and seasoned filmmakers to exchange ideas and discover new ways to make aerial footage truly cinematic.
Post screenshots, workflow examples, or short clips if you like — seeing how others edit can spark ideas for your next project!
We want to hear from you:
• Which editing software do you use for your drone projects? (Premiere Pro, Final Cut Pro, DaVinci Resolve, After Effects, etc.)
• Do you combine multiple programs in your workflow?
• What tips or shortcuts do you rely on to speed up your edits?
• Are there any plugins, LUTs, or tools that have transformed your editing process?
Share your experience, recommendations, and even challenges you face. This discussion is a great place for both beginners and seasoned filmmakers to exchange ideas and discover new ways to make aerial footage truly cinematic.
Post screenshots, workflow examples, or short clips if you like — seeing how others edit can spark ideas for your next project!
Resolved
Locked
Unanswered
Color grading is one of the most powerful tools in cinematic drone filmmaking, and LUTs can completely transform the look and mood of aerial footage. Many filmmakers start with LUT packs, but some pilots eventually begin creating their own custom...
Color grading is one of the most powerful tools in cinematic drone filmmaking, and LUTs can completely transform the look and mood of aerial footage. Many filmmakers start with LUT packs, but some pilots eventually begin creating their own custom LUTs to achieve a unique visual style.
Have you ever created your own LUTs for your drone footage?
Share your experience with the community. Tell us what software you use, what color profiles you shoot in (D-Log, D-Cinelike, LOG, etc.), and how you build your look. If you have examples, feel free to post before-and-after shots or clips showing how your LUT changes the image.
Whether you’re experimenting with color for the first time or building a professional workflow, this discussion is a great place to exchange ideas and learn new techniques for cinematic aerial grading.
Have you ever created your own LUTs for your drone footage?
Share your experience with the community. Tell us what software you use, what color profiles you shoot in (D-Log, D-Cinelike, LOG, etc.), and how you build your look. If you have examples, feel free to post before-and-after shots or clips showing how your LUT changes the image.
Whether you’re experimenting with color for the first time or building a professional workflow, this discussion is a great place to exchange ideas and learn new techniques for cinematic aerial grading.
Resolved
Locked
Unanswered
No discussions created yet
